THE WEDDING CEREMONY OF THE PUNJABIS
The Punjabis, known for their zest
for life, vivaciousness and of course, the bhangra, know how to pull all stops
when it comes to celebrating. And what better occasion to celebrate than a wedding in the family.
Roka
As soon as the couple agree to wed,
the roka or saith ceremony, which is an announcement that the boy and girl have
found their soulmates and will look no further for a life partner, is held. The
girl's mama (mother's brother) gives her the nath (nose ring) which she will
wear on her wedding. The origin of this ceremony lies in the arranged marriage
norm where the parents would let out the world that they are looking for a
suitable match for their son or daughter. And once they had found that match,
their search had come to an end. Though rings are not exchanged, the couple
stand unofficially engaged after this ceremony.
Sagai
The wedding celebrations begin with
the tikka ceremony, held a week to ten days before the wedding (depending on the
number of functions to follow) in which the family of the girl visits that of
the boy's carrying beautifully wrapped gifts and the tikka material: a silver
tray with a few grains of rice and saffron in a tiny silver bowl, 14 chuharey
(dried dates) covered with silver foil and a coconut wrapped in a gold leaf. The
father of the girl applies 'tikka' on his son-in-law's forehead and gives him
his blessings and some money. In return, the girl's family receives baskets of
seven dried fruits: almonds, cashewnuts, chuahara, coconut pieces, raisins,
khurman (dried apricots) and phoolmakhana, at the kudmai (sagai or engagement).
Nowadays the tikka ceremony is usually combined with the engagement. First, the
girl is draped with a chunni (stole), which is usually very ornate. In some
families this chunni is a family heirloom, passed down from generation to
generation.
She is also presented with jewellery, which her mother and
sister-in-law help her wear. A tiny dot of mehendi is applied to her palm for
good luck, and the function is sealed with the exchange of rings. Everyone
present congratulates the couple by feeding them sweet.
Sangeet
After this function start the fun
and dance. There is a sangeet function hosted by the girl's family, in which
just a few close members of the boy's family are invited. The girl's family play
the dholki (an elongated tabla) sing songs in which they tease the boy and his
family, telling them to thank their stars they were lucky to find such a
wonderful girl. who they probably didn't deserve! All in jest, of course, but
they take care not to get carried away. After this, it is the boy's turn to
retaliate, which they do in another sangeet function hosted by them. Though
these are the traditional sangeets, many families opt for live bands or a disc
jockey to churn out one dance track after another as guests shake a leg on the
floor. Mehendi
The last major function before the
wedding is the mehendi. Mehendiwallis are called to the respective houses of the
boy and girl and they apply mehendi to the palms of the female family members,
and the hands and feet of the bride. A basket containing bindis and bangles is
handed around so girls can choose those that match the outfit they plan to wear
to the wedding. The Final
Countdown
The maaiyan of the bride starts
three days before the wedding, which means she is now not supposed to leave the
house until the big day. These days are meant for complete relaxation. She is
not even supposed to meet the groom (if he can stay away!). The morning of the
wedding, batna, a paste of flour and turmeric, is applied to the face, hands and
legs of the bride. This is believed to beautify the skin. She then has a bath
and sits for the puja, after which she is made to wear the bridal 'chura', red
and white ivory bangles that signify her status as a bride. Her relatives then
tie a kalira (jingle) on these churas, which convey their good wishes and
blessings. The eligible girls line up and the bride lightly bangs her kaliras on
their head. It is believed that by doing this, these girls would be the next to
get married.
Similarly the groom's relatives also
apply batna, more as a jest than a serious ceremony. This is followed by a puja,
after which his mother ties a sehera (veil of flowers) on his turban, praying
that his life ahead will be as beautiful and fragrant as the flowers. (And if
the groom is ugly, the more of his face covered, the better!) He is then seated
on a female horse and his sisters tie a mauli (sacred thread) on the reins of
his horse. They also detain the horse in the tradition known as baagpakdai,
saying that they won't leave it's reins unless their brother bribes them. Once
they are satisfied with the cash or jewellery bribe, they release the reins so
the groom can gallop off to fetch his bride.
At The
Venue
The bride's family waits at the
entrance to greet the baarat (the groom and his family), who reach singing and
dancing. The father, brother, uncles and grandfathers of the groom embrace the
corresponding members of the bride's family. While embracing, they try to lift
each other up. as a show of strength and superiority, amidst much laughter and
cheer. When they enter the venue the bride is brought out and the couple
exchange garlands. The groom, who is usually taller than the bride, is not
supposed to bend while she is garlanding him, to tease the bride as if to say
she is the one who would have to compromise in the relationship; he will not
bend. Another game played is by placing a ring in a plate filled with milk. The
bride and groom dip their hands in the plate and the one who comes out with the
ring will dominate in the marriage.The wedding concludes with the pheras, where the couple exchange vows in front of the sacred fire. The bride's parents give her hand to the groom in marriage in what is known as the
kanyadaan. In the earlier days, in exchange for the bride, her in-laws would
donate a sacred cow (gaudaan)! Nowadays money says it all, and a donation is
given to the pundit. The couple take four rounds of the fire, and seven steps to
the North to signify advancement as they walk together through life. Then the
bride puts a foot on a stone as she says no matter what problems come their way,
she will be stable - solid as a rock. Her brother pours kheel (a sweet) into her
hands, which she pours into her husband's hands. Just as the kheel cannot return
to it's original state of grain, neither can the bride return to her earlier
state of daughter of the house.
Once this is done the boy's father
sprinkles water on the newly-weds to say that if there are misunderstandings
between them, he will help calm them down - not add fuel to the fire. The bride
then makes a tearful farewell to her new home in what is known as the 'bidai'.
Traditionally she would sit in a doli (palanquin) which would be carried by the
bride's brothers. Even now some brides sit in a doli, which takes her to the
getaway car, where the groom and a few members of his family are waiting to
escort her home. She gets in, and zooms off to her new home - and new life.
|
